Introduction
Philip
Larkin is one of the most important poets of the late 20th Century. The Explosion is written in 1970 and
it is published in his 1974 collection, “High Windows”. Philip Larkin wrote this poem in 1969
after hearing of a mining tragedy in the north of England. He felt great
sympathy for the miners and wanted to write this elegy in their honour. This poem could be comfortably divided as the
morning before the explosion, at the time of explosion and the aftermath of
explosion.
The Morning
before Explosion
Larkin begins the poem with an
emphasis of the word explosion. He builds
the poem’s theme by repeating the word immediately after its presence in the title. The poem is more of a narration than being
descriptive. Larkin describes the day of
the explosion. He narrates how the
miners, being very optimistic and casual, went to the coal mine. Larkin says that the men marched towards the
pithead and on their way they saw the slagheap spread in the sun. Larkin uses words like shadow and slagheap symbolizing
the impending dangers of the miners. He warns
the readers about the darkness shrouding their day in a subtle way. The men walk casually down the lane in their pit
boots, coughing, laughing and shouldering each other, as they always do. One of the men chases a rabbit, probably
running across them into the fields. He is
said to be returning to the team with a nest of lark’s eggs. He shows the eggs to the group of men and
leaves it in the grass. They enjoy
talking with themselves. They call each
other with nick names and laugh all through their way until they enter the tall
gates of the coal mine.
At the Time of
Explosion
Larkin spends one stanza (just
three lines) to describe the scene and effects of the explosion. At noon a bomb explodes in the coal mine and
kills many men, who went to work with jubilance. They are happy innocent souls and their death
should create tremors in human mind. Larkin,
on the other hand, narrates the incident in a simple tone. He says
At noon there came a tremor; cows
Stopped chewing for a second; sun
Scarfed as in a heat-haze dimmed.
There is no violence in the
poem, as it was foretold in the earlier stage.
It is shown as an incident and no human being is much bothered and
smothered by this, except for the personification of the sun and a second’s
inaction of a cow. Larkin has penned an
elegy of the post-modern era.
Aftermath of
explosion
The mood, the speaker and the
place change in the last few stanzas of the poem. The aftermath of the explosion happens in the
chapel, where everyone condoles and mourns for the dead. The priest in the church prays and he assures
the living relatives of the dead miners have gone earlier to God’s house and
the living people would see them soon. When
this is said the wives of all the men could see their husbands in larger than
life size form. The men shine and glow
like gold and they have radiance of the sun.
They glitter and glow brightly. And
a wife could see her husband carrying the lark’s egg unbroken. The final line about the man with the eggs is
much interpreted line of this poem. Larking,
probably, ends this poem with a positive and not been elegiac in his tone. The eggs in the hands of the dead man is
symbolic life and it is promising the bereaved wives about the life even after
someone’s loss.
fine summary sir..
ReplyDeleteThank you for a lucid, informative analysis.
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