Tuesday, 20 October 2015

Audio-lingual method of Teaching English


Origins
}  1939 – Emergence of English as a Foreign Language
}  1942 – world war II – Army Specialized Training Program (ASTP)
}  Audio-lingual method – combination of structural linguistic theory, contrastive analysis, aural-oral procedures and behaviourist psychology
}  Professor Nelson Brooks – art of teaching into a science
Theory of Language
}  Language is speech, not writing
}  A language is what its native speakers speak, not what someone thinks they ought to speak.
}  Languages are different; they have similarities and differences which can systematically studied
}  Theory of Learning
}  Language is behaviour and behaviour is matter of habit.  Language learning is a mechanical skill and no intellectual process in involved in it; since language learning is mechanical linguistic behaviour is conditioned.  So, in the teaching of a language, the teacher should follow the stimulus-response-reinforcement pattern.
Stimulus-response-reinforcement pattern
Objectives
}  Language teaching begins with the spoken language; the material is taught orally before it is presented in the written form.
}  The target language is the only language of the class room; the mother tongue is not used
}  New language items are introduced and practiced situationally, through contextualized dialogues.
The Syllabus
}  Vocabulary selection
}  Items of grammar are called as structures and graded following the principle that simple forms are taught before complex ones.  Grammar is induced from examples given and no explicit grammar rules are to be provided
}  Reading and writing are introduced once a sufficient lexical and grammatical basis is established.
Types of Learning and Teaching Activities
}  Dialogues-key structures in context and cultural aspects of TL
}  Drills – pattern practice - Brooks
}  Various kinds of drills

1. Repetition – without looking at the printed text
Example: I used to know him – I used to know him
2. Inflection – one word in an utterance appears in another form when repeated
Example: He bought the ticket – I bought the tickets
3. Replacement – one word in an utterance is replaced by another
Example: He bought this house cheap – He bought it cheap
4. Restatement – the student rephrases an utterance and addresses it to someone else
Example: Tell him to wait for you – Wait for me
5. Replacement – one word in an utterance is replaced by another
Example: He bought this house cheap – He bought it cheap
6. Restatement – the student rephrases an utterance and addresses it to someone else
Example: Tell him to wait for you – Wait for me
7. Completion –
Example: I’ll go my way and you go…
8. Transposition – change in word order
Example: I’m hungry – So am I
9. Expansion –
Example: I know him (well) – I know him well
10. Contraction – a single word for a clause or phrase
Example: Put your hand on the table – Put your hand there
11. Transformation – a sentence into negative, interrogative, voice, tense, etc
Example: He knows my address – He does not know my address, Does he know my address?, etc.
12. Integration –
Example:  I know that man.  He is looking for you. – I know the man who is looking for you.
13. Rejoinder – appropriate responses
Example: Thank you. – You’re welcome
14. Restoration –
Example: students/waiting/bus
Learner Roles
}  Organisms responding to the stimulus
}  A reactive role
}  Similar to SLT – active and passive
Teacher Roles
}  Similar to SLT
}  Teacher dominated method
}  Teacher is expected to work hard and to be more creative
Role of Instructional material
}  Assist teacher
}  Texts of dialogues and cues for drills and exercises
}  Tape recorders, audiovisual equipments, etc.
}  Language laboratory
Procedure
o             Oral instructions, Use of TL, Maximum ten students
ü  Students hear a model dialogue, repeat and memorize
ü  Dialogue is adapted to students’ interest and situation
ü  Certain key structures are chosen and used for drills
ü  Reading text books and enriching other skills
ü  Follow-up at laboratory


Sunday, 25 January 2015

Archetypal Approach to Literature



            Archetypes are patterns and models that is first model in anything.  For example in Greek mythology Hercules, as an infant, kills two huge snakes.  Similarly, Krishna, as an infant in Hindu mythology, kills a demon.  In these two mythological stories, the first archetype is an infant of divine origin performing miracles.

            We believe that in infancy myth and experience of common man are incorporated in everyone’s life.  Jung, a psychoanalyst, says that experiences live in the form of archetypes in the unconscious minds of every man.  He invents a phrase called ‘collective unconscious’, which refers to the symbols that are buried in every man.  It is said that these symbols would suddenly erupt in him and would lead to unusual actions.  Sigmund Freud says that these symbols come in the form of dreams.

            Archetypal approach is also called as mythological criticism.  Myth is a fable and not a false tale.  Myths are a storehouse of symbols regulating man’s assumptions about life, death and universe.  Rituals are myth in action.  Myth is also found among tribes.  Archaeologists, anthropologists and linguists affirm the power of myth.  Myth lives in rituals and teaches men morality.

A few examples of universal myth are as follows:
1.      A child though an orphan, of divine parentage, becomes superhuman and becomes the savior of land.
2.      A man driven into exile combats life and becomes a ruler.
3.      A man forced into slavery performs impossible feats of strength, gets his freedom and real stature.

The central pattern of all myth is that they show the rhythm of life – a rise followed by a fall and by a rise.  Sir James Frazer in his The Golden Bough, compares lifecycle with that of the four seasons – spring, summer, autumn and winter.  Wilson Knights in his The Starlit Dome talks about myth in Shakespeare’s “The Tempest” and in Coleridge’s “The Ancient Mariner”.


Greeks and Romans used myth to a great extent.  Elizabethans used it sparingly.  In English literature myths were given utmost importance by writers like T.S. Eliot, W.B. Yeats and James Joyce.  The function of myth in literature is to provide a background familiar to the reader and the writer.  Myths acts as a bridge between the reader and the writer.  Myth in drama is studied extensively.

Summary of R. K. Narayan's An Astrologer’s Day



Introduction
An Astrologer’s Day is a short story by R. K. Narayan.  It is in third person narration.  R. K. Narayan is a famous English novelist.  An Astrologer’s Day is about an astrologer, who overcomes a difficulty from a stranger.  The astrologer is a person with many characters.

The Astrologer as a cheat
The author opens the story by explaining the physical appearance of the astrologer.  He is a man with sacred ash and vermillion in his forehead.  He has a turban around his head.  This costume of the astrologer attracts people towards him.  He does not know anything about astrology.  He does not even know what would happen to him in the next 10 minutes, but he cheats his customers.  He acts as if he knows all about astrology.  He cheats many people by pleasing them and by saying astonishing things.

The criss-cross light around him helps him to cheat those people because they cannot see his face clearly, as he lies.  He is a liar even to his own wife.  He hides the secret of his past life.  Even at the end he says only a little of his past guilt of drinking, gambling and stabbing Guru Nayak.  This shocks his wife and the readers.

The Astrologer as a Stingy Person
The astrologer is a miser.  He does not have a light on his own.  He depends upon the light rays from the shops that are around him.   During nights, he uses the dim green light.  He closes his business when the nuts vendor moves.  This stingy nature is an advantage for him.  He feels happy with the criss-cross light.

The Astrologer as a Brilliant Person
The astrologer, though he is a cheat, is admired for his brilliance.  He faces his customers in an astonishing way.  He tackles all his customers and sends them satisfied.  This quality he has got from his experience.  He says things that 9 out of 10 people would agree.  In case of Guru Nayak, the astrologer is extremely brilliant.  He identifies him with a small light from the match and says all about him in a safe way.  He escapes from him vey easily.  He is very brilliant.

The Astrologer as Cheated
            When the story ends, we see the astrologer as a cheated person.  From the beginning, he cheats others but at the end, he stands cheated.  Guru Nayak instead of giving one rupee gives just 12 and half annas.  The astrologer worries about this.


Tuesday, 30 September 2014

Summary of David Diop's "Africa"



David Diop is an African poet.  He has written many poems, fighting against the racial injustice.  The poem Africa is about the glorious past of Africa, the nation, in comparison with the present situation of the country and its citizens, who are mere slaves. 

The opening line of the poem expresses the poet persona’s love for his nation, Africa.  He uses a possessive pronoun to exhibit his love for Africa.  The poet persona regrets for not being a part of olden Africa, wherein it had many warriors and rich savannahs.  The poet persona has heard of the glorious past, about which he comes to know through the folk songs of his grand mother.

The poet persona is proud with his self-recognition of his ancestors’ blood running in his vein.  He is proud of his colour and race.  He happily announces the colour of his blood as black.  The poet persona says that their black blood irrigated the entire grounds of Africa.

The persona vehemently transfers his pride about the country into a rage.  The colonizers, who enslaved the Africans, drained all the blood, which was exerted from the Africans in the form of work and sweat.  The persona becomes ferocious and questions the silent submission of the Africans.  He cannot digest the thought and sight of the Africans being bent, with scars for the whips held by the colonizers.


The persona listens to a voice that talks about a tree, which is found alone amidst white and faded flowers.  The voice addresses the persona as an angry man.  The voice says him that the tree is Africa, the persona’s own Africa.  Like the tree, growing patiently, Africans would also taste the fruits liberty.

Tuesday, 21 January 2014

Summary of Judith Wright's Woman to Man

          Judith Wright was a prolific Australian poet, critic, and short-story writer, who published more than 50 books. Wright was also an uncompromising environmentalist and social activist campaigning for Aboriginal land rights. She believed that the poet should be concerned with national and social problems. She died at the age of 85.  The poem Woman to Man is about the fear of a woman in giving birth to a child.  It clearly exhibits the psyche or the fear of a pregnant woman. 

            The poem opens with the description of the child, a foetus.  The woman, the mother, is anxious about the child.  She describes the child as an eyeless labourer that grows inside the darkness of her womb.  She holds the child in her womb.  The foetus is said to be shapeless and selfless.  Childbirth is compared with the resurrection day. The child is safe, silent and swift inside her womb.  It is enthusiastically expecting to see the world or the light outside its mother’s womb.

            The, according to the mother, “is no child with a child’s face”.  This might refer to the identity crisis of aborigines in Australia or could plainly mean that the mother is unaware of the gender of the foetus.  They, the woman and her husband, has not yet named the child.  They both exist with the hope that the child would bring into their lives.  They call the child as their and hunter and their chase.  The child, to be born, would become the third member of their family.

            The child is the product of the strength of the man and the flesh of her breast.  The child is said to be the crystal of their eyes, meaning their hope and faith of their posterity or future.  The child is compared with an intricate rose.  The child gives them paradoxical notions of their life in future.  The child is considered as the question and answer and as the maker and the made.

            Being optimistic about the child’s future the poem culminates or concludes with a note of fear.  The mother shudders at the thought of the child’s head butting out of her womb, to see the light reflected by the blade.  This threat metaphorically informs us about the mother’s fear as an aborigine, who suffers the worldly life once been experienced to reality.

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